Skip Menu. Navigate to content in this page
Accessibility Assistance, opens A D A page
  1. Nympheas, 1916-19
  2. Scene De Ballet, 1879
  3. Cup Of Chocolate
  4. Landscape In The Spring, Giverny (Paysage Du Printemps), 1894
  5. Corduroy Tuxedo I
  6. The Hill Of Montmartre With Stone Quarry, 1886
  7. Verres, Journal et Bouteille de Vin, Collage
  8. Figures On The Seashore - Nudes By The Sea, 1904
  9. The Flowers Of The Field
  10. Portrait of the Painter Moise Kisling, 1915
  11. Espoir II (Hope II), 1907-08
  12. Two Dancers Resting, 1874
  13. T'aint You
  14. La Mosque, 1933
  15. L'Aiguille And The Porte d'Aval, Etretat, 1886
  16. Chrysanthemums In A Green Vase
  17. Self-Portrait, 1888
  18. Hungry Wolves Attack a Group of Riders, 1836, Dutch oil painting
  19. The Castle In Teplitz
  20. Lady at the Tea Table
  21. The Dance Lesson, 1879
  22. The Harbinger Of Autumn, 1922
  23. Two Nude Figures In A Landscape, 1913
  24. Morning Glory
  25. Bouquet Of Chrysanthemums, 1881
  26. The Olive Pickers, Saint-Remy, 1889
  27. The Orchestra of the Circus. 1888-1889
  28. Mother and Child (Baby Getting Up from His Nap)
  29. Jesus Preaching by the Seashore, illustration for 'The Life of Christ', c.1886-96
  30. Arrival of the Boats, by Jacob Maris, 1884, Dutch painting, oil on canvas
  31. Princes Street Gardens, Edinburgh, 1890
  32. Peasant Woman Digging, 1885
  33. Study Of Cirrus, 1822
  34. Crozant, Pont Charraud, 1903
  35. In the Greenhouse, by Albert Bartholome, 1881
  36. With The Black Bow, 1912
  37. The Drinker, 1891
  38. Un Crabe Sur Son Dos (A Crab Lying On His Back), 1889
  39. Summer 1914, 1934
  40. A Lover Of Old China, 1880
  41. Landscape At La Roche Guyon, 1887
  42. A Camel (A Dos De Chameau), 1881
  43. Cliffs Near Dieppe, 1897
  44. Pink And Blue Or, The Cahen d'Anvers Girls, 1881
  45. Interior of Roman Building with Figures, 1890-1910 c., Italian painting
  46. In The Schoolroom By Theophile Emmanuel Duverger
  47. Proun: Path of Energy and Dynamic Flows, c.1920
  48. Battery Park By Glenn O. Coleman